lino So, I’m three novels in, and there’s nothing much really happening in terms of trying to snap up an agent, snare a publisher or catch the eye of anyone who’s anyone. I self-publish my first novel with sales figures that would humble a homeless, first-time, tuneless busker with a mangy dog. Now what?

Enter the glitzy world of film making, of course!

I’ve written novels, short stories, poems, song lyrics, a novella and shopping lists but the nearest thing I’ve written to something being performed is a one-act play for a creative writing evening course I took over 10 years ago when I first got into all this chicanery. I thought it was quite funny. It was set in a toilet.

Anyway. I also need a fresh challenge rather than just plodding straight into a fourth novel, so  after watching a couple of bad films, I thought I could do better and should put my money where my mouth is and try to write a screenplay. But what kind?

I like football but it appears the movies do not like football. My secondary motivation, after wanting to attempt to write a screenplay, is to make a decent football movie. Can you name one? I rack my brains and ‘Mike Basset England Manager‘ is at No.1. Don’t talk to me about bloody ‘Escape to Victory‘ – Stallone in goal? Give it a rest, son. The rest of the football canon consists of hooliganism or sanitised, corny, Hollywood shit like ‘Goal‘ which uses the old rags to riches storyline. ‘Bend It Like Beckham‘ is not bad but it still has a few sporting/football cliches in it, eg. man explaining to a woman the offside rule using condiments, protagonist on an upward trajectory, pretty poor football action, etc.

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September 26, 2016

rejectI’m not sure what this says about the current point of my ‘writing journey’ but here’s a post about how rejections could be made easier for the rejector and more meaningful for the rejectee.

I got another rejection last week for ‘Blindsided‘, fine, but the rejection email itself was the usual bland, unhelpful, thanks-but-no-thanks. And I mean unhelpful for both parties. For example, if I were to get 3 rejections saying my first chapter is crap (‘1’ on the rejection scale) then I’ll improve it so the 4th agent to receive my submission will get an improved (hopefully) 1st chapter.

A reply is always good (any reply) as not every agent or publisher replies, but I can’t help feeling that a more meaningful response would help everyone in the long run.

The usual rejection email is something like this:

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